A Leopard-Skin Hat may be Anne Serre’s most moving novel yet. A masterpiece of simplicity, emotion and elegance, it is the story of an intense friendship between the Narrator and his close childhood friend, Fanny, who suffers from profound psychological disorders.

A series of short scenes paints the portrait of a strong-willed and tormented young woman battling many demons, and of the Narrator’s loving and anguished attachment to her. Serre poignantly depicts the bewildering back and forth between hope and despair involved in such a relationship, while playfully calling into question the very form of the novel. Written in the aftermath of the death of the author’s little sister, A Leopard-Skin Hat is both the celebration of a tragically foreshortened life and a valedictory farewell.

God whispers through a crease in the wallpaper, writes Patti Smith in this indelible account of her life as an artist. A post-Second World War childhood unfolds in a condemned housing complex described in Dickensian detail- consumptive children, vanishing neighbours, an infested rat house, and a beguiling book of Irish fairytales. We enter the child’s world of the imagination where Smith, the captain of her loyal and beloved sibling army, vanquishes bullies, communes with the king of tortoises and searches for sacred silver pennies.

The most intimate of Smith’s memoirs, Bread of Angels takes us through her teenage years where the first glimmers of art and romance take hold. Arthur Rimbaud and Bob Dylan emerge as creative heroes and role models as Patti starts to write poetry, then lyrics, merging both into the iconic songs and recordings such as Horses and Easter, ‘Dancing Barefoot’ and ‘Because the Night’.

The scorching, much-anticipated new book from the winner of the 2022 Stella Prize for Dropbear

The Rot is a recalcitrant study of the decaying romances, expired hopes and abject injustices of the world. A liturgy for girlhood in the dying days of late-stage capitalism, these poems expose fraying nerves and tendons of a speaker refusing to avert their gaze from the death of Country, death on Country, and the bloody violence of settler colonies here and afar. Across sleepless nights, fractured alliances and self-destructive coping strategies, The Rot is what happens when poetry swallows more rage than it can console, quiet or ironise – this book demands you ready yourself for a better world.

A woman settles in a remote Polish village. It has few inhabitants, now, but it teems with the stories of its living and its dead. There’s the drunk Marek Marek, who discovers that he shares his body with a bird, and Franz Frost, whose nightmares come to him from a newly discovered planet. There’s the man whose death-with one leg on the Polish side, one on the Czech-was an international incident. And there are the Germans who still haunt a region that not long ago they called their own. From the founding of the town to the lives of its saints, these shards piece together not only a history but a cosmology.

Another brilliant ‘constellation novel’ in the mode of her International Booker Prize-winning Flights, House of Day, House of Night reminds us that the story of any place, no matter how humble, is boundless.

Kaylene Whiskey’s paintings dazzle with brightly coloured pop stars rendered in dots and set amongst her own community in remote Central Australia. She depicts female pop culture icons – including Dolly Parton, Tina Turner, Catwoman, Cher and Wonder Woman – all connected to the Kungkarangkalpa Tjukurpa, or Seven Sisters Story. These heroines, however, are shown partying at Iwantja Art Centre in Indulkana, South Australia.

Her comic-book style and text bubbles are hilarious yet potent symbols of female power in an Aboriginal setting. A joyful visual anthem, Whiskey’s work draws from the country music, rock’n’roll and Anangu songs played in her household growing up. An in-depth interview with the artist punctuates the richly illustrated pages in which Whiskey describes her creative process – blending Anangu traditions with contemporary culture by painting jugs of Coca-Cola alongside mingkulpa (native bush tobacco), lollipops, honey ants and love hearts.

Dive into the year with the wisdom of artists. Gathered from interviews, personal conversations, books and talks, How to Live an Artful Life moves through the months of the year offering you thoughts, reflections and encouragements from artists such as Marina Abramovic, Nan Goldin, Lubaina Himid, Louise Bourgeois and many more. With a thought for every day of the year, whether looking for beginnings in January, freedom in summer, or transformation as the nights draw in, this is a book of words to cherish. The year is full of the promise of work that has yet to be written, paintings that are yet to be painted, people who have yet to meet, talk, or fall in love. With this book in hand, pay attention, and see the world anew. Go out and find it, taste it, seize it, and live it – artfully.

Arundhati Roy’s first work of memoir, this is a soaring account, both intimate and inspiring, of how the author became the person and the writer she is, shaped by circumstance, but above all by her relationship to her extraordinary, singular mother Mary, who she describes as ‘my shelter and my storm’.

Distraught and even a “little ashamed” at the intensity of her response to the death of the mother she ran from at age eighteen, Arundhati began to write Mother Mary Comes to Me. The result is this astonishing, disconcerting, surprisingly funny chronicle-unique and simultaneously universal, of the author’s life, from childhood to the present, from Kerala to Delhi.

With the scale, sweep, and depth of her novels and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace-a memoir like no other.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November 18th repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: “That’s how little the activities of one person matter on the 18th of November.”)

Balle is hypnotic and masterful in her remixing of the endless recursive day, creating curious little folds of time and foreshadowings: her memories of the past light up inside the text like old-fashioned flash bulbs.

The first volume’s gravitational pull—a force inverse to its constriction—has the effect of a strong tranquilizer, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book’s logic (the thrilling shifts, the minute movements, the slant wit, the slowing of time), and its spell is utterly intoxicating.

It was decreed from the moment she was bornth. Twenty-three-year-old Reality Kahn would embark on a quest so great, so bold. She would become the greatest girlfriend of all time. She would be a zine maker, an aspiring notary, the greatest waterslide commercial actress on the Eastern Seaboard. She would receive messages from the beyond in the form of advice from the esteemed and ancient ladies’ magazine, Girlfriend Weekly.

When she attends a party at a punk venue known as ‘Paradise’, Reality meets Ariel, her fated boyfriend.  Determined to win his affection, she joins a cutting-edge clinical trial created by Dr Zweig Altmann to help her become a perfect girlfriend. She stars in a new commercial. She learns how to become an indelible host. But Reality will also learn that sheer will and determination, and a very open heart, are not always enough to make true love manifest.

At turns laugh-out-loud funny, tragic and jarring, Reality’s quest grows ever more complicated as the men in her life: Ariel, her agent Jethro, and Dr Altmann himself, prove treacherous. 

Galway 1993: Young Garda Cormac Reilly is called to a scene he will never forget. Two silent, neglected children – fifteen-year-old Maude and five-year-old Jack – are waiting for him at a crumbling country house. Upstairs, their mother lies dead.

Twenty years later, a body surfaces in the icy black waters of the River Corrib. At first it looks like an open-and-shut case, but then doubt is cast on the investigation’s findings – and the integrity of the police. Cormac is thrown back into the cold case that has haunted him his entire career – what links the two deaths, two decades apart? As he navigates his way through police politics and the ghosts of the past, Detective Reilly uncovers shocking secrets and finds himself questioning who among his colleagues he can trust.

I ripped through this one, a deliciously tangled web of mystery spanning multiple decades. It was the perfect book to get me out of a slight reading slump.

My first McTiernan, so I’m very excited to dive more into her catalogue over the next few months!

1967- Ye Wenjie witnesses Red Guards beat her father to death during China’s Cultural Revolution. This singular event will shape not only the rest of her life but also the future of mankind.

Four decades later, Beijing police ask nanotech engineer Wang Miao to infiltrate a secretive cabal of scientists after a spate of inexplicable suicides. Wang’s investigation will lead him to a mysterious online game and immerse him in a virtual world ruled by the intractable and unpredictable interaction of its three suns.

This is the Three-Body Problem and it is the key to everything- the key to the scientists’ deaths, the key to a conspiracy that spans light-years and the key to the extinction-level threat humanity now faces.

In Annihilation, the first volume of Jeff VanderMeer’s now-classic Southern Reach series, Area X has been cut off from the rest of the continent for decades and nature has reclaimed the last vestiges of human civilisation. Expedition after expedition into Area X has failed to uncover its mysteries and the true nature of its danger to the world.

Now a twelfth expedition makes the attempt, a group of four women: an anthropologist, a surveyor, a psychologist and the narrator, a biologist. Their mission is to map the terrain, record all observations of their surroundings and of one another, and, above all, avoid being contaminated by Area X.

A harrowing cosmic mystery at the vanguard of eco-fiction, Annihilation has only become more pertinent to our reality ten years after its first publication.

Spanning two decades-from the publication of her lightning-rod debut novel in the late 70s, to the throes of a consuming affair in the late 80s, and the messiness and pain of a disintegrating marriage in the late 90s-the diaries reveal the life of one of the world’s greatest writers.

Devastatingly honest and disarmingly funny, How to End a Story is a portrait of loss, betrayal, and the sheer force of a woman’s anger-but also of hard work and resilience, moments of hope and joy, the immutable ties of motherhood, and the regenerative power of a room of one’s own.

A child who will be named Johannes is born. An old man named Johannes dies. Between these two points, Jon Fosse gives us the details of an entire life, starkly compressed. Beginning with Johannes’s father’s thoughts as his wife goes into labour, and ending with Johannes’s own thoughts as he embarks upon a day in his life when everything is exactly the same, yet totally different, Morning and Evening is a novel concerning the beautiful dream that our lives have meaning.

When Lea Ypi discovers a photo of her grandmother, Leman, honeymooning in the Alps in 1941 posted by a stranger on social media, she is faced with unsettling questions. Growing up, she was told records of her grandmother’s youth were destroyed in the early days of communism in Albania. But there Leman was with her husband, Asllan Ypi- glamorous newlyweds while World War II raged.

What follows is a thrilling reimagining of the past, as we are transported to the vanished world of Ottoman aristocracy, the making of modern Greece and Albania, a global financial crisis, the horrors of war and the dawn of communism in the Balkans. While investigating the truth about her family, Ypi grapples with uncertainty. Who is the real Leman Ypi? What made her move to Tirana as a young woman and marry a socialist who sympathized with the Popular Front while his father led a collaborationist government? And why was she smiling in the winter of 1941?

By turns epic and intimate, profound and gripping, Indignity explores what it means to survive in an age of extremes. It reveals the fragility of truth, both personal and political, and the cost of decisions made against the tide of history. Through secret police reports of communist spies, court depositions, and Ypi’s memories of her grandmother, we move between present and past, archive and imagination, fact and fiction. Ultimately, she asks, what do we really know about the people closest to us? And with what moral authority do we judge the acts of previous generations?

Nineteen-year-old Lea is from a village that is out of time, out of jobs and out of hope. She and her friends, however, are vivid and electric with life. They yearn, they dance, they fuck, they fight. And around them, a world that isn’t quite our own vibrates with strangeness and threat.

Now Lea is here, sitting on a bench, telling a silent stranger her life story. Because yesterday, change was finally unavoidable.

A novel of rural entrapment and coming of age, Elisa Levi’s That’s All I Know bears the traces of Beckett and Lorca, rings with the echo of folktales and has a fierce, unapologetic vitality at its heart. Startlingly odd and deeply moving, it is the work of a profound and singular talent.

The witty new novel from this internationally acclaimed Polish author blends horror, folklore and feminist parable.

In September 1913, Mieczyslaw, a student suffering from tuberculosis, arrives at a health resort in what is now western Poland. Every day, its residents gather in the dining room to imbibe the hallucinogenic local liqueur, to obsess over money and status, and to discuss the great issues of the day – will there be war? Do devils exist? Are women inherently inferior?

But disturbing events are happening in the guesthouse and its surroundings. Someone-or something-seems to be infiltrating their world. As our student attempts to decipher the sinister forces at work, little does he realise they have already chosen their next target.

As in her acclaimed novel Drive Your Plow Over the Bones of the Dead, Tokarczuk blends horror story, comedy, folklore, and feminist parable with brilliant storytelling.

A brilliant exploration of freedom – what it is, how it’s been misunderstood, and why it’s our only chance for survival – by the acclaimed, bestselling author of On Tyranny.

Freedom is the great Western commitment, but we have lost sight of what it means – and this is leading us into crisis. Too many of us look at freedom as the absence of state power- we think we’re free if we can do and say as we please, and protect ourselves from government interference. But true freedom isn’t so much freedom from, as freedom to – the freedom to thrive, to take risks for futures we choose by working together. Freedom is the value that makes all other values possible.

Drawing on the work of philosophers and political dissidents, conversations with contemporary thinkers and his own experiences, Snyder identifies the practices and attitudes – the habits of mind – that will allow us to design a government in which we and future generations can flourish. We come to appreciate the importance of traditions but also the role of institutions. Intimate yet ambitious, this book helps forge a new consensus rooted in a politics of abundance, generosity and grace.

Snyder’s book On Tyranny has inspired millions around the world to fight for freedom; On Freedom helps us see exactly what we’re fighting for. It is a thrilling intellectual journey and a tour de force of political philosophy.

One of the staff’s most anticipated books of 2024! We have been LOVING this one…

Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common.

Peter is a Dublin lawyer in his thirties – successful, competent and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women – his enduring first love Sylvia, and Naomi, a college student for whom life is one long joke.

Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.

For two grieving brothers and the people they love, this is a new interlude – a period of desire, despair and possibility – a chance to find out how much one life might hold inside itself without breaking.